Over her life, Aleksandra Mir went through four different migrations, becoming used to transgressing borders. Such a stateless experience gave rise to a recurring questioning in her production around the sociopolitical forces shaping national and local identities. The Mediterranean series (2007) stems from her experience in the Mediterranean island of Sicily, Italy. Here, the territorial … Continued
Reflecting on the place of art and the maneuvers for spreading information, PROPAGANDA (2021) is a work composed of interventions in billboards with photos of boxes and empty packages that the artist Lucia Koch collected in Brumadinho and Belo Horizonte. Part of the Fundos series, the images are presented in existing structures in the city … Continued
In-between Lands is a solo exhibition by artist Aleksandra Mir, currently on exhibition at Galeria Praça and composed of four drawings from the Mediterranean series (2007). The work questions the sociopolitical forces that shape national and local identities. Such reflection stems from the stateless experience accumulated by the artist as a four-time migrant, and was … Continued
The Comissionamentos Inhotim program intends to spread and stimulate the contemporary art production, bringing to the audience works of prominent artists of the national circuit. For the 2021 edition, the institution invited the Brazilian artists Lucia Koch and Rommulo Vieira Conceição to develop new creations after their experiences in the Institute and its surroundings For … Continued
Fictive or imaginary characters are recurring in the production of Tunga. In the work Untitled (2010), part of the Marionettes series, steel cables draw a human silhouette and compose a network, filled with big quartz crystals that give volume to this body. The body of crystals is then suspended in the space by metal threads … Continued
One of the basic elements in the conception of the work of Tunga is the image of the circle – a geometric shape that recalls the idea of continuous movements and alludes to metaphors of development, like the cycle of life. The torus is the resulting topological space of two circles: one from the inside … Continued
Tereza (1998) was made for the first time in 1998 at the Museu Nacional de Belas Artes (Rio de Janeiro), where the artist gathered a group of men making braids out of pieces of blankets and copper wires. The action was a reference to the technique used by prisoners to build ropes long and strong … Continued
In this untitled work from 2001, the starting point is a major iron sheet covering the wall and taking over the floor of the space. In it, a big set of shattered magnets is regrouped, recalling the shape of a ‘tacape’ (indigenous weapon). On the ground, on top of the metal surface, a huge cane … Continued
In Prole do Bebê (2000) each piece has a different shape. They are organic, nearly amoeboid shapes that Tunga names as ‘modrongos,’ weird beings. Such individual and independent bodies have protuberances and cavities, in an allusion to sexuality. Made in fiberglass, the pieces are also covered in make-up, as a trace of the performance Make … Continued
Palíndromo Incesto (1990-1992) was featured in the itinerant exhibition ‘Latin American Artists of the Twentieth Century,’ presented in several European institutions before arriving at the MoMA – Museum of Modern Art in New York, in 1993. The title indicates several possible interpretations. A palindrome is a word or phrase that reads the same backward and … Continued