As duas obras têm como ponto central elementos fundamentais para a produção da artista: peso e equilíbrio. Embrionário (2003), ao lado, é a primeira escultura de Elisa Bracher a manter a forma bruta do tronco. A articulação entre as peças, que somam 13 toneladas, se dá por uma dinâmica de apoio e de tensão entre suas … Continued
Galeria Claudia Andujar was inaugurated in 2015, with a project signed by Arquitetos Associados. The space gathers more than 400 works by the Swiss photographer based in Brazil who, from 1950 to 2010, made records of the Yanomami, one of the indigenous peoples who live in the northern Amazon Forest. The exhibition is split into … Continued
Inaugurated in 2010, Galeria Cosmococa has a design signed by Arquitetos Associados. Inside it, a set of five environments developed by Hélio Oiticica and Neville D’Almeida. Built over irregular ground, the building offers a double perspective, according to the architects: from the lowest point, it is like ‘a stone-built artifact,’ but when observed from above, … Continued
Designed by Arquitetos Associados, the Galeria Miguel Rio Branco was inaugurated in 2010 with a project that establishes a dialogue with the baroque reference present in his work. Taking advantage of the sloped ground, the architecture is divided into one suspended block and another one underground. Such contraposition is also present in the lighting of … Continued
Inaugurated in 2012 with a design signed by Rizoma Arquitetura, it is one of the biggest galleries at Instituto Inhotim, holding a vast panorama of the production of Tunga. The building, similar to a glass box placed inside the forest, proposes a spatial setting that avoids the white cube experience: pre-established routes, imposed narratives, artificial … Continued
Inaugurated in 2008 and designed by architect Rodrigo Cerviño Lopez (Tacoa Arquitetos), this gallery bringing together works by Adriana Varejão does not unveil what is presented inside of it. The ‘blind building,’ as Cerviño named it, is a major concrete box suspended over a reflecting pool that, in its turn, reveals and broadens the surrounding … Continued
Designed by architect Paulo Orsini, Galeria Cildo Meireles was inaugurated in 2004 and, after two years, went through changes in its original project. Currently, there are three works by the artist on exhibition: Através [Through] (1983-89), Desvio para o vermelho: Impregnação; Entorno; Desvio [Deviation into Red: Impregnation; Surroundings; Deviation] (1967-1984), and Glove Trotter (1991). Each … Continued
Inaugurated in 2002, Galeria Mata was one of the first exhibition buildings at Instituto Inhotim, initially called ‘museum’ by the staff. Designed by architect Paulo Orsini, who proposed a light and simple tracing for the building, it has glass panels connecting the inside space of the gallery to the outside. From time to time, it … Continued
Inaugurated in 2008, the gallery name refers to its previous function: during the initial phase of Instituto Inhotim, before it became an exhibition space, Galeria Marcenaria was used to attend to the institution’s production demands of wood pieces. In order to preserve the memory of the building, the project made by Arquitetos Associados proposed little … Continued
Designed by architect Paulo Orsini, Galeria Praça was inaugurated in 2004. It is one of the most visited galleries at Inhotim, and also serves as a meeting point. The name is a reference to its central localization, between the entrance hall, the Inhotim Design Shop, and the crossing of the three visiting axes. In it, … Continued