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  • Contemporary Art

    Instituto Inhotim is home to a museological complex featuring a series of pavilions and galleries with works of art and sculptures on display in the open air. Since the outset, Inhotim’s rise on the scene of the Brazilian cultural institutions has been marked by the mission to create an artistic collection and to define new museological strategies that provide  the community  with access to cultural assets. In this sense, it seeks to bring the public into contact with a relevant set of artworks, produced by artists from different parts of the world, providing an up-to-date reflection on the questions of contemporaneity.

    Inhotim is the only Brazilian Institute institution with a world-class collection of contemporary art continuously on display.

    Thanks to a series of specific contexts, Inhotim offers a new model far removed from that of the urban museums. The Inhotim experience mainly involves a spatial relationship between art and nature that allows the artists to create and show their works in unique conditions. The spectator is invited to stroll through gardens, forest landscapes and rural settings, roaming among lakes, trails, mountains and valleys, actively experiencing the space.

    New projects are rolled out periodically, including site-specific artworks as well as monographic and thematic selections from the collection, making Inhotim a place in continuous transformation.

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    Accinelli, Pablo,  2016

    The use of measuring systems in the work of Argentinian artist Pablo Accinelli pervades his investigation of the relations between the objects and the spaces that they occupy. Rulers, geometric figures, and various sorts of industrial materials dialogue with each other and with their surroundings reveling that different layers of language, meaning and time can coexist and be mutually re-signified at the same instant, in the same context. In the artworks that are displayed here, the shelf serves literally as a support to the idea of multilayer language. In this limited space, Accinelli draws a setting of signs that manifest through different materialities: paper, concrete, acrylic, charcoal, etc.

    Br?tescu, Geta,  2014

    Patru 1, Patru 2, Patru 3, Patru 4, 1975 [Quatro 1, quatro 2, quatro 3, quatro 4] Tecido, moldura de madeira, metal

    Br?tescu, Geta,  2014

    Vestigii, 1978 [Trace] Textile collage on paper

    Br?tescu, Geta,  2014

    Colors, 1987-1988 Colagem e têmpera sobre papel

    Br?tescu, Geta,  2014

    Atelierul, 1970 [The Studio] China ink on paper

    Br?tescu, Geta,  2014

    O corpo de obras realizado por Geta Bratescu a partir do fim dos anos 1970 em torno da figura de Medeia revela tanto seu interesse pela mitologia grega quanto a diversidade de linguagens da artista (...)

    Br?tescu, Geta,  2014

    "The discipline of drawing is the wellspring and key to understanding the overall thrust of Geta Bratescu’s oeuvre. In Desene cu Ochii Închisi (...)"

    Br?tescu, Geta,  2014

    Assim como a Grécia clássica e o nascimento do cristianismo inspiraram obras de Geta Bratescu, o jardim e seu aspecto mitológico aparecem como inspiração do ciclo de colagens Gradina [Jardim, 1991].

    Br?tescu, Geta,  2014

    Diferentes histórias e personagens compõem o repertório de referências de Geta Bratescu: o Fausto, a Mãe Coragem, o fabulista grego Esopo, entre outros. Ao interpretar essas narrativas, Bratescu (...)

    Br?tescu, Geta,  2014

    The discipline of drawing is the wellspring and key to understanding the overall thrust of Geta Bratescu’s oeuvre. Nuduri is a selection of sketches (...)

    Dunham, Carrol,  2014

    Garden 5, 2008 Mixed media on linen

    Dunham, Carrol,  2014

    Garden 3, 2008 Mixed media on linen

    Dunham, Carrol,  2014

    Garden 2, 2008 Mixed media on linen

    Dunham, Carrol,  2014

    Cross-referencing of Pop Art, Surrealism, and Abstract Expressionism, as well as the imagery of popular culture, cartoon, and eroticism, since the 1970s Carroll Dunham has been producing a body of work distinguished by organic and biomorphic forms exploring the relationship between abstraction and figuration.

    Lang, Dominik,  2014

    The Sleeping City, 2011 Mixed midia

    Medalla, David,  2014

    Cloud-Gates Bubble Machine, 1965/2013 Acrílico, espuma, mangueiras, sistema de bomba de ar e de água

    Br?tescu, Geta,  2014

    Athanor, 1974 Fotografia, tecido, colagem, desenho

    Dunham, Carrol,  2014

    Garden 1, 2008 Técnica mista sobre linho

    Dunham, Carrol,  2014

    Garden 4, 2008 Mixed media on linen


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    Na obra de Geta, observamos uma formação modernista sólida, notável nos seus desenhos, aliada a uma inclinação para práticas experimentais e conceituais, e no interesse pela representação do feminino e numa crítica do trabalho artístico.

    Marepe,  2013

    By appropriating everyday objects and elements, converting them into works of art in a gesture that recalls that of Marcel Duchamp, Marepe conceptually situates his work between the utilitarian and the poetic.

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    Rio Branco, Miguel, 

    This floor of the Miguel Rio Branco Pavilion features 34 images of one of the artist’s most important and seminal works: the photographs taken in the district of Maciel, in the area known as Pelourinho, in the city of Salvador.

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    Rio Branco, Miguel, 

    Las Palmas de Gran Canaria, Canary Islands, Spain, 1946; lives in Araras, Rio de Janeiro Arco do Triunfo, 2004 cibachrome; polytptych

    Huan, Zhang,  2006

    In Chinese culture, monolithic monuments atop a turtle’s back are common in sacred places and public spaces, serving as a source of historical contextualization of the site while symbolizing political or religious power.

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    data-galeria='Array' data-status='collection; ' data-titulo='Babette Mangolte' data-hash='babette-mangolte' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Mangolte, Babette,  2013

    The exhibition is the artist’s first presentation in Brazil and features works made over the last four decades, in a true delving into her universe and thought.

    Araujo, Juan,  2013

    Since the end of the 1990s, Juan Araujo has been producing a vast oeuvre of painting on a small and medium scale in which the citation of other artworks is an important element.

    Zerbini, Luiz,  2013

    Titled amor lugar comum, this exhibition brings together nine works by Luiz Zerbini created over the past decade. Together the works demonstrate the intentionality of the artist’s painting practice, his compositional strategies, and his relationship to time.

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    data-galeria='Array' data-status='on-view; permanent-artworks; ' data-titulo='Galpão Cardiff & Miller' data-hash='galpao-cardiff-miller' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Bures Miller, George,  2009

    Cardiff and Bures Miller are at the forefront of a generation of artists who employ advanced technology.

    Salcedo, Doris,  2008

    Bogotá, Colombia, 1958; lives in Bogotá Neither, 2004 steel and plaster plates

    Grippo, Victor,  2008

    Over the past few decades Victor Grippo has stood out in the art world as one of the leading figures of the Conceptual art group practicing in Argentina.

    Tunga,  2012

    Palmares, Pernambuco, 1952; lives in Rio de Janeiro Lezart, 1989 Cooking Crystals Expanded, 2009 Nociferatu, 2001 – 2011 Palíndromo incesto, 1990 – 1992 Ao, 1980 A Luz dos Dois Mundos,

    Tunga,  2004

    Since the mid-1970s Tunga has created works of drawing, sculpture, installation, film, video and performance that teem with imagination.

    Pape, Lygia,  2012

    In Rio de Janeiro, where she built her career, Pape joined the Frente and Neoconcreto groups, actively participating in the renewal that marked Brazilian art at the time.

    D’Almeida, Neville,  2010

    While living in New York in the early 1970s, Hélio Oiticica collaborated with filmmaker Neville D’Almeida to create groundbreaking installations that he termed “quasi-cinemas.”

    Rio Branco, Miguel,  2010

    The result of a long collaborative process between Inhotim and the artist, the Miguel Rio Branco Pavilion was built over the past two years to house a representative overview of his production.

    Meireles, Cildo,  2004

    His pioneering work in the field of installation art is striking for its wide range of supports, techniques and materials, nearly always leading to broader political and social issues.

    Varejão, Adriana,  2008

    The trajectory proposed for the pavilion begins with the tile piece Panacea phantastica (2003-2007), which portrays 50 species of hallucinogenic plants from different parts of the world.

    Restiffe, Mauro,  2013

    The installation proposes an investigation of the real and photographic spaces, putting into play themes and elements important to both: walls and frames, front and back, interior and exterior.

    Restiffe, Mauro,  2013

    The installation proposes an investigation of the real and photographic spaces, putting into play themes and elements important to both: walls and frames, front and back, interior and exterior.

    Ramo, Sara,  2013

    In the video Entre a Chuva e o Boneco de Neve [Between the Rain and the Snowman, 2005], lines drawn on the ground and the wall configure a sports court or a game board.

    Dean, Tacita,  2013

    Centered in supports such as drawing, film and photography, Tacita Dean’s work explores the relations between different artistic mediums to construct metaphors that register the passage of time.

    Restiffe, Mauro,  2013

    The installation proposes an investigation of the real and photographic spaces, putting into play themes and elements important to both: walls and frames, front and back, interior and exterior.

    Ramo, Sara,  2013

    The series of photographs by artist Sara Ramo presents a sequence of household bathrooms, with their utensils and paraphernalia. The images seem to have arisen from an exercise in the typologization of this banal and intimate environment, while revealing mysterious possibilities about everything that happens imperceptibly.

    Restiffe, Mauro,  2013

    The installation proposes an investigation of the real and photographic spaces, putting into play themes and elements. important to both: walls and frames, front and back, interior and exterior.

    Gusmão, João Maria,  2013

    The films of João Maria Gusmão and Pedro Paiva investigate magical happenings, physical phenomena, ritualistic events, and scientific experiments by combining photograph, installation, sculpture and writing in the exercise of creating an experimental philosophy.

    Morris, Robert,  2013

    Precursor do minimalismo e das experiências pós-minimalistas, Robert Morris é figura central no contexto artístico do final do século 20 e na definição de seus principais movimentos.

    Neuenschwander, Rivane,  2013

    In keeping with the title, in Conversations [Conversações, 2002] Rivane Neuenschwander gathers images as if they were the result of a conversation held for hours on end, and which invariably led elsewhere.

    Gusmão, João Maria,  2013

    The films of João Maria Gusmão and Pedro Paiva investigate magical happenings, physical phenomena, ritualistic events, and scientific experiments by combining photograph, installation, sculpture and writing in the exercise of creating an experimental philosophy.

    Zerbini, Luiz,  2013

    Titled amor lugar comum, this exhibition brings together nine works by Luiz Zerbini created over the past decade. Together the works demonstrate the intentionality of the artist’s painting practice, his compositional strategies, and his relationship to time.

    Zerbini, Luiz,  2013

    Titled amor lugar comum, this exhibition brings together nine works by Luiz Zerbini created over the past decade. Together the works demonstrate the intentionality of the artist’s painting practice, his compositional strategies, and his relationship to time.

    Gusmão, João Maria,  2013

    The films of João Maria Gusmão and Pedro Paiva investigate magical happenings, physical phenomena, ritualistic events, and scientific experiments by combining photograph, installation, sculpture and writing in the exercise of creating an experimental philosophy.

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    Marepe, 

    By appropriating everyday objects and elements, converting them into works of art in a gesture that recalls that of Marcel Duchamp, Marepe conceptually situates his work between the utilitarian and the poetic.

    Zerbini, Luiz,  2013

    Titled amor lugar comum, this exhibition brings together nine works by Luiz Zerbini created over the past decade. Together the works demonstrate the intentionality of the artist’s painting practice, his compositional strategies, and his relationship to time.

    Gusmão, João Maria,  2013

    The films of João Maria Gusmão and Pedro Paiva investigate magical happenings, physical phenomena, ritualistic events, and scientific experiments by combining photograph, installation, sculpture and writing in the exercise of creating an experimental philosophy.

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    Marepe, 

    By appropriating everyday objects and elements, converting them into works of art in a gesture that recalls that of Marcel Duchamp, Marepe conceptually situates his work between the utilitarian and the poetic.

    Zerbini, Luiz,  2013

    Titled amor lugar comum, this exhibition brings together nine works by Luiz Zerbini created over the past decade. Together the works demonstrate the intentionality of the artist’s painting practice, his compositional strategies, and his relationship to time.

    Zerbini, Luiz,  2013

    Titled amor lugar comum, this exhibition brings together nine works by Luiz Zerbini created over the past decade. Together the works demonstrate the intentionality of the artist’s painting practice, his compositional strategies, and his relationship to time.

    Zerbini, Luiz,  2013

    Titled amor lugar comum, this exhibition brings together nine works by Luiz Zerbini created over the past decade. Together the works demonstrate the intentionality of the artist’s painting practice, his compositional strategies, and his relationship to time.

    Zerbini, Luiz,  2013

    Titled amor lugar comum, this exhibition brings together nine works by Luiz Zerbini created over the past decade. Together the works demonstrate the intentionality of the artist’s painting practice, his compositional strategies, and his relationship to time.

    Kusama, Yayoi,  2008

    Yayoi Kusama Nagano, Japão, 1929; lives in Tóquio, Japão Narcissus garden Inhotim, 2009 stainless steel

    Gusmão, João Maria,  2013

    The films of João Maria Gusmão and Pedro Paiva investigate magical happenings, physical phenomena, ritualistic events, and scientific experiments by combining photograph, installation, sculpture and writing in the exercise of creating an experimental philosophy.

    Zerbini, Luiz,  2013

    Titled amor lugar comum, this exhibition brings together nine works by Luiz Zerbini created over the past decade. Together the works demonstrate the intentionality of the artist’s painting practice, his compositional strategies, and his relationship to time.

    Gusmão, João Maria,  2013

    The films of João Maria Gusmão and Pedro Paiva investigate magical happenings, physical phenomena, ritualistic events, and scientific experiments by combining photograph, installation, sculpture and writing in the exercise of creating an experimental philosophy.

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    Zerbini, Luiz, 

    Zerbini dedicates himself to a profound, experimental painting practice that has transcended trends and fashion thus yielding a significant body of work.

    Araujo, Juan,  2013

    Since the end of the 1990s, Juan Araujo has been producing a vast oeuvre of painting on a small and medium scale in which the citation of other artworks is an important element.

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    Zerbini, Luiz, 

    Zerbini dedicates himself to a profound, experimental painting practice that has transcended trends and fashion thus yielding a significant body of work.

    Araujo, Juan,  2013

    Since the end of the 1990s, Juan Araujo has been producing a vast oeuvre of painting on a small and medium scale in which the citation of other artworks is an important element.

    Gusmão, João Maria,  2013

    The films of João Maria Gusmão and Pedro Paiva investigate magical happenings, physical phenomena, ritualistic events, and scientific experiments by combining photograph, installation, sculpture and writing in the exercise of creating an experimental philosophy.

    Araujo, Juan,  2013

    Since the end of the 1990s, Juan Araujo has been producing a vast oeuvre of painting on a small and medium scale in which the citation of other artworks is an important element.

    Araujo, Juan,  2013

    Since the end of the 1990s, Juan Araujo has been producing a vast oeuvre of painting on a small and medium scale in which the citation of other artworks is an important element.

    Gusmão, João Maria,  2013

    The films of João Maria Gusmão and Pedro Paiva investigate magical happenings, physical phenomena, ritualistic events, and scientific experiments by combining photograph, installation, sculpture and writing in the exercise of creating an experimental philosophy.

    Takamatsu, Jiro,  2013

    Jiro Takamatsu is one of the main figures of the Japanese avant-garde of the 1960s onward, having participated in the seminal artists’ collective High Red Center (1963-64) and approached the Mono-Ha movement (1967–1979).

    Araujo, Juan,  2013

    Since the end of the 1990s, Juan Araujo has been producing a vast oeuvre of painting on a small and medium scale in which the citation of other artworks is an important element.

    Araujo, Juan,  2013

    Since the end of the 1990s, Juan Araujo has been producing a vast oeuvre of painting on a small and medium scale in which the citation of other artworks is an important element.

    Araujo, Juan,  2013

    Since the end of the 1990s, Juan Araujo has been producing a vast oeuvre of painting on a small and medium scale in which the citation of other artworks is an important element.

    Galan, Marcius,  2013

    Resorting to a language of minimalist and simple forms along with the use of materials such as concrete, iron and wood, since the 1990s Marcius Galan has been developing a work that fosters reflections on sculpture, geometry and space.

    Araujo, Juan,  2013

    Since the end of the 1990s, Juan Araujo has been producing a vast oeuvre of painting on a small and medium scale in which the citation of other artworks is an important element.

    Macchi, Jorge,  2013

    Paradoxical relations between time and space pervade the work of Jorge Macchi – an artist who deals with the literary heritage of his country and advances it.

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    Muniz, Vik, 

    The Sarzedo Drawings da Série Pictures of Earthworks

    Starling, Simon, 

    Epsom, England, 1967; lives in Glasgow, Scotland, and Berlin The Mahogany Pavillion (Mobile Architecture No.1), 2004

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    Muniz, Vik, 

    Série Pictures of Dust

    Tunga,  2004

    Since the mid-1970s Tunga has created works of drawing, sculpture, installation, film, video and performance that teem with imagination.

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    Tunga, 

    Palmares, Pernambuco, 1952; lives in Rio de Janeiro Untitled (da Série Vanguarda Viperina), 1983-97 lead installation, 11 linear meters

    Tunga,  2012

    Palmares, Pernambuco, 1952; vive no Rio de Janeiro Palíndromo Incesto, 1990 - 1992 fio de cobre, imã, folhas de cobre e limalha de ferro

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    Huan, Zhang, 

    An Yang, China, 1965; lives in New York Rubens, 2000 - 2001 bronze

    Caldas, Waltércio,  2006

    Rio de Janeiro, 1946; lives in Rio de Janeiro Escultura para todos os materiais não transparentes, 1985 marble and wood

    Grippo, Victor,  2008

    Over the past few decades Victor Grippo has stood out in the art world as one of the leading figures of the Conceptual art group practicing in Argentina.

    Tunga,  2012

    Braids, tribal clubs and combs are repeated elements in Tunga’s work — a sculptor who uses narrative as much as he uses formal elements.

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    Neuenschwander, Rivane,  2009

    Belo Horizonte, 1967; lives in Belo Horizonte Continente/Nuvem, 2008

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    Rehnberger, Tobias, 

    Tobias Rehberger seeks to establish a dialogue between art and such neighboring disciplines as design, film, interior design, and architecture by creating sculptures and installations that are often functional objects in themselves.

    Tunga,  2006

    Palmares, Pernambuco, 1952; lives in Rio de Janeiro Deleite, 1999 ron and leather

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    Neuenschwander, Rivane, 

    Belo Horizonte, 1967; lives in Belo Horizonte Mapa Mundi BR (Postal), 2007 postcards wooden shelves

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    Soares, Valeska,  2009

    Valeska Soares Belo Horizonte, 1957; lives in New York, USA Folly, 2005-2009

    Tunga,  2012

    Palmares, Pernambuco, 1952; lives in Rio de Janeiro Ão, 1980 black and white film 16 mm in looping and sound installation

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    Rehnberger, Tobias, 

    Loser’s library, 2002 wood, plexiglass light bulbs, TV monitors and DVD players, variable dimensions

    Tunga,  2012

    Palmares, Pernambuco, 1952; lives in Rio de Janeiro A Bela e a Fera, 2001 bronze and steel

    Hirschhorn, Thomas,  2011

    In Restore Now (2006), a diversity of objects and materials is transformed into tools for a (re) constructive interpretation of the world.

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    Cinto, Sandra, 

    Santo André, São Paulo, 1968; lives in São Paulo Sem Título (Portal), 2001 oil on wood

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    Hiller, Susan, 

    Predominantly an audio work, The last silent movie (2007-08) is a patchwork of fragments from audio archives of extinct, nearly extinct or endangered languages.

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    Cinto, Sandra, 

    Santo André, São Paulo, 1968; lives in São Paulo Sem Título

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    McQueen, Steve, 

    Once upon a time (2002) consists of a slide show of photographs that the North American National Aeronautics and Space Administration (NASA) sent into space with Voyager II in 1977

    Nomura, Hitoshi,  2013

    Hitoshi Nomura is a key name in Japanese conceptual art from the late 1960s onward.

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    Cinto, Sandra, 

    Santo André, São Paulo, 1968; lives in São Paulo Retábulo, 1995 oil on wood

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    Cinto, Sandra, 

    Santo André, São Paulo, 1968; lives in São Paulo As Belas Relações II, 2000 blown galss and dry point on painted wood and MDF

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    Mano, Rubens, 

    São Paulo, 1960; lives in São Paulo Sem Título - do Projeto Básculas, 2000 stainless steel and iron

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    Cinto, Sandra, 

    Santo André, São Paulo, 1968; lives in São Paulo A Ponte Impossível, 1998 automotive paint on wood and MDF

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    Rennó, Rosângela, 

    Cartologia, 2000 photograph album, empire table and five color photographs, laminated and framed

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    Mano, Rubens, 

    São Paulo, 1960; lives in São Paulo Disponha, 2001 photograph mounted on methacrylico, diptych

    De Barros, Geraldo,  2013

    Geraldo de Barros was one of the most active artists of the Brazilian avant-garde in the 1940s and 1950s, and belonged to the first concretist group of São Paulo, Ruptura, which advanced concrete art in Brazil from 1952 onward.

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    Clair Cemin, Saint, 

    Cruz Alta, Rio Grande do Sul, 1951; lives in Nova York Pioneer, 1999 marble

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    Mano, Rubens, 

    São Paulo, 1960; lives in São Paulo Casa verde, 1997 installation/photograph

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    Costi, Rochelle, 

    Caxias do Sul, Rio Grande do Sul, 1961; lives in São Paulo Série Quartos São Paulo, 1998

    De Barros, Geraldo,  2013

    Geraldo de Barros was one of the most active artists of the Brazilian avant-garde in the 1940s and 1950s, and belonged to the first concretist group of São Paulo, Ruptura, which advanced concrete art in Brazil from 1952 onward.

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    Rennó, Rosângela, 

    Belo Horizonte, 1962; lives in Rio de Janeiro Boots, 2000 digital photograph Hangman, 2000 digital photograph Riffleman, 2000 digital photograph

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    Mano, Rubens, 

    São Paulo, 1960; lives in São Paulo Bueiro, da Série Huecos, 1999 intervention/photograph

    Rio Branco, Miguel,  2010

    Las Palmas de Gran Canaria, Canary Islands, Spain, 1946; lives in Rio de Janeiro Wax, Wood and Flash, 1993-96 cibachrome photograph

    Rio Branco, Miguel,  2010

    Tubarões de seda (2006), is an installation in which photographs were printed directly on a fabric, inviting the spectators to visit it not only with their eyes, but also with their bodies.

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    Guimarães, Cao, 

    In the film Word/World (2001), Neuenschwander and Guimarães turn the viewer's focus to the ground and introduce an unusual viewpoint: that of ants.

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    Burle Marx, Roberto, 

    Guaratiba, 1989 oil on canvas

    Rio Branco, Miguel,  2010

    Las Palmas de Gran Canaria, Canary Islands, Spain, 1946; lives in Rio de Janeiro Touch of Evil, 1994

    Rio Branco, Miguel,  2010

    Las Palmas de Gran Canaria, Canary Islands, Spain, 1946; lives in Rio de Janeiro Swift on Blue, 1992 cibachrome photograph

    Rio Branco, Miguel,  2010

    Las Palmas de Gran Canaria, Canary Islands, Spain, 1946; lives in Rio de Janeiro Some Balls, 1993 - 1994 photograph

    Rio Branco, Miguel,  2010

    Las Palmas de Gran Canaria, Canary Islands, Spain, 1946; lives in Rio de Janeiro Smoking Mirror, 1992 cibachrome photograph

    Rio Branco, Miguel,  2010

    Las Palmas de Gran Canaria, Canary Islands, Spain, 1946; lives in Rio de Janeiro Pêssegos, 1994 photografia

    Rio Branco, Miguel,  2010

    The scenes reveal an intense relationship between the portraitist and the portrayed, bringing the genres of documentary and fiction, reality and fantasy, closer together.

    Rio Branco, Miguel,  2010

    Las Palmas de Gran Canaria, Canary Islands, Spain, 1946; lives in Rio de Janeiro Máscara da Dor, 1976-1999 black and white photograph

    Rio Branco, Miguel,  2010

    Las Palmas de Gran Canaria, Ilhas Canárias, Espanha, 1946; lives in Rio de Janeiro Mãos em Santiago, 1993 cibachrome photograph

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    Tiravanija, Rirkrit,  2010

    Originally conceived for the 27th Bienal de São Paulo, in 2006, the work Palm Pavilion (2006–2008) has been set up in the open-air for the first time at Inhotim.

    Rio Branco, Miguel,  2010

    Las Palmas de Gran Canaria, Canary Islands, Spain, 1946; lives in Rio de Janeiro Hell´s diptych, 1993-1994 cibachrome photograph

    Lucas, Renata,  2012

    In this room of the Galeria Mata the original cement floor is covered over by plywood.

    Rio Branco, Miguel,  2010

    Las Palmas de Gran Canaria, Ilhas Canárias, Espanha, 1946; lives in Rio de Janeiro Hartless Black Saint Sebastian, 1994 cibachrome photograph, (políptico de 9)

    Rio Branco, Miguel,  2010

    Las Palmas de Gran Canaria, Ilhas Canárias, Espanha, 1946; vive no Rio de Janeiro Hanging Ghost, 1992 cibachrome photograph

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    Rist, Pipilotti, 

    Grabs, Switzerland, 1962; lives in Zurich Homo Sapiens Sapiens, 2005 installation of audio and video

    Rio Branco, Miguel,  2010

    Las Palmas de Gran Canaria, Ilhas Canárias, Espanha, 1946; lives in Rio de Janeiro Gritos Surdos, 2001 cibachrome photograph, broken windshields and flourescent light, variable dimensions

    Rio Branco, Miguel,  2010

    Entre os olhos o deserto (1997) is an installation made with three projections of a series of more than 400 images.

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    McCarthy, Paul, 

    McCarthy's work brings together the ritualistic and the profane, blood and ketchup.

    Rio Branco, Miguel,  2010

    Diálogos com Amaú (1983) is one of the artist's first audiovisual installations, presented for the first time at the XVII Bienal de São Paulo.

    Eliasson, Olafur,  2008

    Creating an effect of reflected light with six mirrors forming a hexagonal tube, this work by Olafur Eliasson is based on the principles of a kaleidoscope.

    Rio Branco, Miguel,  2010

    Las Palmas de Gran Canaria, Canary Islands, Spain, 1946; lives in Rio de Janeiro Blue Vibes (ou Blue Vibration), 2001 photograph, (polyptych de 9)

    Rio Branco, Miguel,  2010

    This floor of the Miguel Rio Branco Pavilion features 34 images of one of the artist’s most important and seminal works: the photographs taken in the district of Maciel, in the area known as Pelourinho, in the city of Salvador.

    McCarthy, Paul,  2006

    Salt Lake City, United States, 1945; lives in Los Angeles Boxhead, 2001 bronze

    Rio Branco, Miguel,  2010

    Las Palmas de Gran Canaria, Canary Islands, Spain, 1946; lives in Rio de Janeiro Berlin, 2001 cibachrome photograph

    Orozco, Gabriel,  2013

    The work of Gabriel Orozco is often diaristic, recalling places he has been, specific experiences, materials he finds, or chance encounters that provoke action, documentation, and production.

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    Eliasson, Olafur, 

    Through superimposed reflections, a myriad of forms is exposed. Internationally, Eliasson is one of the most visible artists working today.

    Rio Branco, Miguel,  2010

    Las Palmas de Gran Canaria, Canary Islands, Spain, 1946; lives in Rio de Janeiro Barroco, 1998 cibachrome photograph

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    Majerus, Michel, 

    Michel Majerus is one of the most significant artists identified with the revitalization of painting in Germany in the late 1990s. In his production, we find an amalgamation of assorted references

    Eliasson, Olafur,  2006

    By Means of a Sudden Intuitive Realization, 1996 fiberglass igloo, water, strobe light, water pump and plastic

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    Majerus, Michel, 

    Michel Majerus is one of the most significant artists identified with the revitalization of painting in Germany in the late 1990s. In his production, we find an amalgamation of assorted references

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    Majerus, Michel, 

    Michel Majerus is one of the most significant artists identified with the revitalization of painting in Germany in the late 1990s. In his production, we find an amalgamation of assorted references

    Ortega, Damián,  2013

    The work of Damián Ortega is firmly grounded in sculpture and experimentation, often with a humorous touch.

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    Majerus, Michel, 

    Michel Majerus is one of the most significant artists identified with the revitalization of painting in Germany in the late 1990s. In his production, we find an amalgamation of assorted references

    Ortega, Damián,  2013

    The work of Damián Ortega is firmly grounded in sculpture and experimentation, often with a humorous touch.

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    Majerus, Michel, 

    Michel Majerus is one of the most significant artists identified with the revitalization of painting in Germany in the late 1990s. In his production, we find an amalgamation of assorted references

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    Ramos, Nuno, 

    Since the 1980s, Nuno Ramos has been building his oeuvre in different media — sculpture, installation, drawing, video, film, prose and poetry — and conserving painting as source language.

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    Rawanchaikul, Navin, 

    Appropriating imagery from popular culture and urban life, Untitled, 1997 (Cities on the Move) is conceived as an offer to the visitor to participate.

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    Restiffe, Mauro, 

    São José do Rio Pardo, São Paulo, 1970; lives in São Paulo and New York Empossamento #2, 2003 photograph Empossamento #3, 2003 photograph Empossamento #4, 2003 photograph Empossamento #8, 2003 photograph

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    Barney, Matthew,  2009

    São Francisco, EUA, 1967; Nova York, EUA De lama lâmina, 2009 Geodesic dome glass and steel skidder carving high density polyethylene

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    Lambri, Luisa, 

    Luisa Lambri’s work consists of photographs of great works of architecture of the modern era.

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    Lambri, Luisa, 

    Luisa Lambri’s work consists of photographs of great works of architecture of the modern era.

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    Marepe, 

    A mudança (Moving, 2005) belongs to a group of works by Marepe that relates to the sphere of domesticity and intimacy. Among these are sculptures shaped like clothes bundles, furniture and houses.

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    López, Mateo, 

    Although drawing plays a leading role in the Mateo Lopez work, it can hardly be reduces to a medium per se.

    Marepe,  2011

    A bica [Waterspout, 1999] sets up a dialog between the two traditions that inform Marepe’s work: the history of 20th century art and the popular practices in the context where he was born and lives.

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    L, Marcellvs, 

    0775, da Série Vídeo-Rizomas, 2004 0314, da Série Vídeo-Rizomas, 2004 0667, da Série Vídeo-Rizomas, 2003 0778, da Série Vídeo-Rizomas, 2004 3195, da Série Vídeo-Rizomas, 2005

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    Marepe, 

    Santo Antônio de Jesus, Bahia, 1970; lives in Santo Antônio de Jesus Embutido, 1999 wood varied materials

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    Lambri, Luisa, 

    Luisa Lambri’s work consists of photographs of great works of architecture of the modern era.

    Dardot, Marilá,  2011

    The work invites the interaction of the spectator, who is enticed to compose words and sentences and to distribute them through the field.

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    Lambri, Luisa, 

    Brazilian art and architecture are the main subjects of the paintings and photographs by Juan and Luisa Araujo Lambri exhibited in this room .

    Galan, Marcius,  2010

    Indianápolis, Indiana, Estados Unidos, 1972; lives in São Paulo Seção diagonal, 2008

    Pape, Lygia,  2012

    Ttéia 1C (2002) is a work of the late stage of Lygia Pape’s career and comprises a number of issues raised during the artist’s trajectory.

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    Lambri, Luisa, 

    Luisa Lambri’s work consists of photographs of great works of architecture of the modern era.

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    data-galeria='Array' data-status='collection; ' data-titulo='Novos Costumes' data-hash='novos-costumes-2' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Lima, Laura, 

    Laura Lima centers her artistic output around her thinking about the human body: as a support, as a reference and as the double for a work of art.

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    Damasceno, José, 

    Rio de Janeiro, 1968; lives in Rio de Janeiro Trilha Sonora, 2002 hammers

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    data-galeria='Array' data-status='collection; ' data-titulo='Fragmento Brasil' data-hash='fragmento-brasil' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Baumgarten, Lothar, 

    The relations between nature and culture are a key interest in the work of Lothar Baumgarten.

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    Damasceno, José, 

    Rio de Janeiro, 1968; lives in Rio de Janeiro Transporte Independente, 1999 wood, synthetic covering

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    data-galeria='Array' data-status='collection; ' data-titulo='Série Tulsa' data-hash='da-serie-tulsa' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Clark, Larry, 

    Larry Clark, the renowned director of the movies Kids (1995) and Ken Park (2002), began his career and defined his visual language through the medium of photography, a field in which he has played a most influential role in the revitalization of American realism.

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    Ferrari, León, 

    When he lived in Brazil from 1976 to 1991, León Ferrari made an impressive set of heliographic prints that resemble architectural plans and represent fictitious situations of demographic explosion and urban chaos.

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    Damasceno, José, 

    Rio de Janeiro, 1968; lives in Rio de Janeiro Parábola, 2000 marble

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    Vinci, Laura, 

    By way of the sculptures and installations she has developed since the 1980s, Laura Vinci thematizes questions linked to time, to changes and to transformations.

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    Clark, Larry, 

    Larry Clark, the renowned director of the movies Kids (1995) and Ken Park (2002), began his career and defined his visual language through the medium of photography, a field in which he has played a most influential role in the revitalization of American realism.

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    Lima, Laura, 

    Beginning in 1995, Laura Lima has created a series of works in which she introduces the human body as leading element, thereby drawing near to the traditional use of the nude in the course of art history.

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    data-galeria='Array' data-status='collection; ' data-titulo='Método para arranque e deslocamento' data-hash='metodo-para-arranque-e-deslocamento' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Damasceno, José, 

    Método para arranque e deslocamento is a meta-sculpture on which viewers step as they experience it, becoming one with the piece.

    Macchi, Jorge,  2009

    Buenos Aires, 1963; lives in Buenos Aires Piscina, 2009

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    Damasceno, José, 

    Rio de Janeiro, 1968; lives in Rio de Janeiro Árvore Inconsciente, 1999-2000 plastic and cotton

    Ahearn, John,  2006

    John Ahearn’s sculptural murals are far more than simply realist sculptures; they are challenges to the very nature of representation, of who gets to represent whom.

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    Pardo, Jorge, 

    Havana, Cuba, 1963; lives in Los Angeles Untitled, 2002 latex on canvas

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    Macchi, Jorge, 

    Maps rank among the favorite raw materials of Jorge Macchi, although he also has a keen interest in other print sources, such as newspapers, notebooks and musical scores.

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    Monk, Jonathan, 

    Works by iconic artists from the 1960s and '70s serve as the primary sources for Jonathan Monk's work with film, photography, installation, sculpture and performance, which appropriates and cites classical procedures from Pop, Minimalist and Conceptual art.

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    Macchi, Jorge, 

    Situations and objects taken from everyday life provide the raw material for the production of Jorge Macchi, an artist who has been showing his drawings, collages, installations and videos internationally since the early 1990s.

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    Pardo, Jorge, 

    Havana, Cuba, 1963; lives in Los Angeles Lamps, 2004 blown glass and metal

    Ahearn, John,  2006

    John Ahearn’s sculptural murals are far more than simply realist sculptures; they are challenges to the very nature of representation, of who gets to represent whom.

    Lopes, Jarbas,  2006

    Nova Iguaçu, RJ; reside e trabalha em Maricá, Rio de Janeiro Troca-Troca, 2002 fuscas com aparelhagem de som

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    José Costa, João, 

    João José Costa is one of the artists who founded The Grupo Frente of Rio de Janeiro, one of the most active groups of the Brazilian concretist vanguard in the 1950s.

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    Lopes, Jarbas, 

    Nova Iguaçu, RJ; lives and works in Maricá, Rio de Janeiro Série O Debate, 2002-2003 political campaing plotter and woven carpet

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    Lambie, Jim, 

    Glasgow, Escócia, 1964; lives in Glasgow and Nova York Punk Prayer, 2001 poster and colage

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    Lopes, Jarbas, 

    Nova Iguaçu, RJ; reside e trabalha em Maricá, Rio de Janeiro Série Cicloviaérea, 2003 - 2004 ballpoint pen on paper, 38 drawings

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    Antoni, Janine, 

    Since the early 1990s, Janine Antoni has been making sculptures, photographs, and videos that fuse an interest in the formal elements of art (such as line, shape, texture, form, process) with personal issues of the self, resulting in an exploration of gender politics and identity.

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    Allora, Jennifer, 

    Jennifer Allora and Guillermo Calzadilla have been collaborating since 1995. Through their practice, which includes film, photography, performance, sculpture and installation, they render a critique of the sociocultural systems related to globalization processes.

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    Lambie, Jim, 

    Glasgow, Escócia, 1964; lives in Glasgow and Nova York Pale Blue Eyes, 2002 speakers, cloth, mirror and acrylic

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    Lopes, Jarbas, 

    The production of Jarbas Lopes includes sculpture, drawing, installation and performance, in addition to conceptual project designs in which the artist deals with the imaginary of a proposition rather than with its actual rendition.

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    Do Espírito Santo, Iran, 

    Although he has persistently worked with a geometric vocabulary, Espírito Santo is mostly interested in representation.

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    data-galeria='Array' data-status='collection; ' data-titulo='The Murder of Crows' data-hash='the-murder-of-crows' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Bures Miller, George,  2009

    In The murder of crows (2008), 98 audio speakers are mounted around the space on stands, chairs and walls, creating an orchestra-like setup in which the visitor is invited to sit in the center on designated chairs.

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    Antoni, Janine, 

    Janine Antoni, 1997 speakers, mirror, curtain, video-installation, variable dimensions

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    Do Espírito Santo, Iran, 

    In Iran Espírito Santo's work, an intense relationship between art's classical heritage and contemporaneity informs the artist's practice that leans toward product design, architecture and interior design while swapping the values of these disciplines with those of art.

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    Do Espírito Santo, Iran, 

    Espírito Santo is mostly interested in representation, a subject he has been investigating in his installations; sculptures; drawings on paper, wood and walls; prints; and photographs.

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    Genzken, Isa, 

    Strassenfest [Street Party, 2009] is a large three-dimensional collage made of objects found and reworked by the artist.

    Cardiff, Janet,  2006

    Thomas Tallis, English composer of the sixteenth century, wrote Spem in Alium nunquam habui, a choral work for eight choirs of five voices, to celebrate the birthday of Queen Elizabeth I in 1575.

    D’Almeida, Neville,  2010

    While living in New York in the early 1970s, Hélio Oiticica collaborated with filmmaker Neville D’Almeida to create groundbreaking installations that he termed “quasi-cinemas.”

    Mangolte, Babette,  2013

    Babette Mangolte is a visual artist, thinker, filmmaker and photographer born in France and based in the United States for more than 40 years.

    Oiticica, Hélio,  2008

    Rio de Janeiro, 1937 – Rio de Janeiro, 1980 Invenção da cor, Penetrável Magic Square # 5, De Luxe, 1977

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    Yang, Haegue, 

    Consisting of a series of 473 images, this work by Haegue Yang depicts globes, spheres, balls and polygonal origami forms.

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    data-galeria='Array' data-status='collection; ' data-titulo='World II' data-hash='world-ii' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Ackermann, Franz, 

    Franz Ackermann is a perpetual traveler, reflecting on globalization and the constant growth of urban centers.

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    data-galeria='Array' data-status='collection; ' data-titulo='Waterfall (From Prora to Ostende)' data-hash='waterfall-from-prora-to-ostende' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Ackermann, Franz, 

    Franz Ackermann is a perpetual traveler, reflecting on globalization and the constant growth of urban centers.

    Penone, Giuseppe,  2011

    Garessio, Itália, 1947; lives in Turim Elevazione, 2000 - 2001 bronze

    De Souza, Edgard,  2009

    São Paulo, 1962; lives in São Paulo Sem título, 2000 Sem título, 2002 Sem título, 2005 bronze

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    Ackermann, Franz, 

    Franz Ackermann is a perpetual traveler, reflecting on globalization and the constant growth of urban centers.

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    data-galeria='Array' data-status='collection; ' data-titulo='Faceland II (You better keep the light on)' data-hash='faceland-ii-you-better-keep-the-light-on' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Ackermann, Franz, 

    Franz Ackermann is a perpetual traveler, reflecting on globalization and the constant growth of urban centers.

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    De Souza, Edgard, 

    Sem Título, 2001 bronze sculpture

    Mangolte, Babette,  2013

    Babette Mangolte is a visual artist, thinker, filmmaker and photographer born in France and based in the United States for more than 40 years.

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    data-galeria='Array' data-status='collection; ' data-titulo='Ninguna Huella (Ahorcado Negro) Airmail Painting nº 001' data-hash='ninguna-huella-ahorcado-negro-airmail-painting-no-001' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Dittborn, Eugenio, 

    Eugenio Dittborn’s airmail paintings began to circulate in 1983 and were originally a way for the artist to relate with artistic contexts outside his own country, Chile, then isolated by the military dictatorship (1973–1990).

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    De Souza, Edgard, 

    São Paulo, 1962; lives in São Paulo Sem Título, 1998 bronze sculpture

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    data-galeria='Array' data-status='collection; ' data-titulo='Nave Deusa' data-hash='nave-deusa' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Neto, Ernesto, 

    Since the late 1980s, Ernesto Neto has been developing his oeuvre by devoting himself primarily to sculpture and making the body into its main analogy.

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    data-galeria='Array' data-status='collection; ' data-titulo='Inércia e Memória de Puffs e Piffs' data-hash='inercia-e-memoria-de-puffs-e-piffs' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Neto, Ernesto, 

    Rio de Janeiro, 1964; lives in Rio de Janeiro Inércia e Memória de Puffs e Piffs, 2004 cloves, black pepper, urucum and saffron on paper

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    data-galeria='Array' data-status='collection; ' data-titulo='La VI historia del rostro (El Rojo Camino Negro)' data-hash='la-vi-historia-del-rostro-el-rojo-cmino-negro' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Dittborn, Eugenio, 

    Eugenio Dittborn’s airmail paintings began to circulate in 1983 and were originally a way for the artist to relate with artistic contexts outside his own country, Chile, then isolated by the military dictatorship (1973–1990).

    Mangolte, Babette,  2013

    Babette Mangolte is a visual artist, thinker, filmmaker and photographer born in France and based in the United States for more than 40 years.

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    Meireles, Cildo, 

    Cildo Meireles has made his mark as a unique voice in contemporary art, constructing a body of work that is permeated by the international language of conceptual art while simultaneously engaging in a personal dialog with the poetic legacy of the Brazilian neoconcretism.

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    data-galeria='Array' data-status='collection; ' data-titulo='Copulônia' data-hash='copulonia' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Neto, Ernesto, 

    Copulônia (1989) is a seminal piece in Ernesto Neto’s career.

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    Meireles, Cildo, 

    Cildo Meireles has made his mark as a unique voice in contemporary art, constructing a body of work that is permeated by the international language of conceptual art while simultaneously engaging in a personal dialog with the poetic legacy of the Brazilian neoconcretism.

    Krasinski, Edward,  2012

    A central figure of the Polish vanguard, Edward Krasinski began to work in Warsaw in the1960s, taking part of the collective made up by artists and art critics around the Foksal gallery.

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    De Souza, Edgard, 

    Átomos, 2000 lacquered wood

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    data-galeria='Array' data-status='collection; ' data-titulo='Inserções em circuitos ideológicos: Projeto Coca-Cola' data-hash='insercoes-em-circuitos-ideologicos-projeto-coca-cola' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Meireles, Cildo, 

    Cildo Meireles has made his mark as a unique voice in contemporary art, constructing a body of work that is permeated by the international language of conceptual art while simultaneously engaging in a personal dialog with the poetic legacy of the Brazilian neoconcretism.

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    Aitken, Doug,  2009

    Sonic pavilion, 2008 Pavilion of glass and steel, coated plastic film; tube well 202 m deep, microphones and sound amplification equipment

    Salcedo, Doris,  2008

    Bogotá, Colombia, 1958; lives in Bogotá Neither, 2004 steel and plaster plates

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    Meireles, Cildo, 

    Cildo Meireles has made his mark as a unique voice in contemporary art, constructing a body of work that is permeated by the international language of conceptual art while simultaneously engaging in a personal dialog with the poetic legacy of the Brazilian neoconcretism.

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    Gonzalez-Foerster, Dominique, 

    The experience of walking in the work of art has been a long-standing topic for artists, and one in constant evolution. Beginning with the proximity between painting and the urban setting brought about by Impressionism in the late-19th century

    Gonzalez-Foerster, Dominique,  2010

    Desert Park, 2010

    Meireles, Cildo,  2006

    Cildo Meireles has made his mark as a unique voice in contemporary art, constructing a body of work that is permeated by the international language of conceptual art while simultaneously engaging in a personal dialog with the poetic legacy of the Brazilian neoconcretism.

    Mangolte, Babette,  2013

    Babette Mangolte is a visual artist, thinker, filmmaker and photographer born in France and based in the United States for more than 40 years.

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    Hernández, Diango, 

    Sancti Spiritus, Cuba, 1970; lives in Düsseldorf, Germany Drawing (As a drop I am going out of my home), 2006 furniture and metal barrel

    Graham, Dan,  2006

    Bisected triangle, Interior curve, 2002 mirroed glass and stainless steel

    Meireles, Cildo,  2004

    In Glove Trotter, Cildo Meireles strives with the classic issues of sculpture: volume, weight and gravity. However, these issues unfold into notions of geographical context and of universality.

    Meireles, Cildo,  2004

    Cildo Meireles has made his mark as a unique voice in contemporary art, constructing a body of work that is permeated by the international language of conceptual art while simultaneously engaging in a personal dialog with the poetic legacy of the Brazilian neoconcretism.

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    Iglesias, Cristina,  2012

    Since the ear ly 1980s, Cristina Iglesias has been constructing one of the most striking sculptural discourses of our time. Her work structures a labyrinth of fictions that use sculpture and architecture as a physical and mental itinerar y proposed to the spectator.

    Mangolte, Babette,  2013

    Babette Mangolte is a visual artist, thinker, filmmaker and photographer born in France and based in the United States for more than 40 years.

    Mangolte, Babette,  2013

    Babette Mangolte is a visual artist, thinker, filmmaker and photographer born in France and based in the United States for more than 40 years.

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    Marcelle, Cinthia, 

    9 white vans move around the same square, where they can all be seen at the same time. The vehicles enter one at a time into the circuit, moving simultaneously around the place.

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    Meireles, Cildo, 

    Cildo Meireles has made his mark as a unique voice in contemporary art, constructing a body of work that is permeated by the international language of conceptual art while simultaneously engaging in a personal dialog with the poetic legacy of the Brazilian neoconcretism.

    Mangolte, Babette,  2013

    For more than 30 years, Polish artist Edward Krasinski (1925–2004) lived and worked in a studio in his apartment in downtown Warsaw, located on a typical housing block in the years of the socialist regime.

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    Marcelle, Cinthia, 

    One firefighter truck constantly drives in a perfect circle with its hose shooting water to the centre of the geometric figure, provoking the image of a fountain in reverse.

    Da Cunha, Alexandre,  2013

    The arrangement of the works by Alexandre da Cunha in the first room of Galeria Fonte recalls a still life, thus repeating the theme of the exhibition which he begins.

    Meireles, Cildo,  2004

    By means of formal games with everyday materials, the artist deals with broader issues, such as the way in which we perceive space and, ultimately, the world.

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    Marcelle, Cinthia, 

    Since the early 2000s, Cinthia Marcelle has been constructing her oeuvre with the use of a wide variety of media, ranging from installation to drawing, from video to performance.

    Da Cunha, Alexandre,  2013

    The arrangement of the works by Alexandre da Cunha in the first room of Galeria Fonte recalls a still life, thus repeating the theme of the exhibition which he begins.

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    data-galeria='Array' data-status='collection; ' data-titulo='Samson' data-hash='samson' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Burden, Chris, 

    Samson consists of a 100 ton jack connected to a gear box and a turnstile. The jack pushes two large timbers against the walls of the gallery.

    Burden, Chris,  2006

    Beehive Bunker (2006) is a sculpture that simulates a war bunker, built little by little and without the aid of machines. Due to the place where it is installed – one of the highest points at Inhotim – it looks like a lookout post.

    Burden, Chris,  2009

    Beam drop Inhotim, 2008

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    Wyn Evans, Cerith, 

    Llanelli, Wales, 1958; lives in London Cleave 02 (The accursed share), 2002 globe of mirror, light bulb, computer, obturator and of Georges Bataille text

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    Wyn Evans, Cerith, 

    Llanelli, Wales, 1958; lives in London Aqui tudo parece que ainda é construção e já é ruína, A partir de Fora da Ordem, de Caetano Veloso, 2004 wooden structure, fireworks and c-print photograph

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    Garaicoa, Carlos,  2012

    The work by Carlos Garaicoa shown in this space belongs to a line of works that have emerged since the 1960s, which are concerned with the criticism of architecture and are based on processual art, of which Gordon Matta-Clark (1943–1978) and Hélio Oiticica (1937–1980) were leading figures.

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    Barrio, Artur, 

    Artur Barrio became famous for his interventions in urban space in the 1960s and 70s, when he used blood, bones, bread, and toilet paper to react against both the repression and violence imposed by the military regime in Brazil, and the conditions of material disadvantage in the Third World.

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    Barrio, Artur, 

    Artur Barrio became famous for his interventions in urban space in the 1960s and 70s, when he used blood, bones, bread, and toilet paper to react against both the repression and violence imposed by the military regime in Brazil, and the conditions of material disadvantage in the Third World.

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    data-galeria='Array' data-status='collection; ' data-titulo='Il Caduto' data-hash='il-caduto' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Pessoli, Alessandro, 

    The works of Alessandro Pessoli blend personal references and historical facts in a process that brings grand narratives closer to intimate and autobiographical events.

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    data-galeria='Array' data-status='collection; ' data-titulo='Mixed Behavior' data-hash='mixed-behavior-2' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Sala, Anri, 

    The videos of Anri Sala draw from the immediacy of documentary filmmaking and the manipulation of digital technology to bring together esthetics and politics.

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    data-galeria='Array' data-status='collection; ' data-titulo='Air-Cushioned' data-hash='air-cushioned' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Sala, Anri, 

    "Some places have no buildings or dates to be remembered, but they produce their own soundtrack". With these words, taken from his notes, Anri Sala describes the mood conveyed by Air Cushioned Ride (2006).

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    Pessoli, Alessandro, 

    The works of Alessandro Pessoli blend personal references and historical facts in a process that brings grand narratives closer to intimate and autobiographical events.

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    data-galeria='Array' data-status='collection; ' data-titulo='Agassi' data-hash='1420' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Sala, Anri, 

    Over the last decade, Anri Sala has emerged as one of the most important voices in recent investigations into the mediums of film and video.

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    Pessoli, Alessandro, 

    The works of Alessandro Pessoli blend personal references and historical facts in a process that brings grand narratives closer to intimate and autobiographical events.

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    data-galeria='Array' data-status='collection; ' data-titulo='Caligola' data-hash='caligola' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Pessoli, Alessandro, 

    The works of Alessandro Pessoli blend personal references and historical facts in a process that brings grand narratives closer to intimate and autobiographical events.

    De Castro, Amílcar,  2006

    Paraisópolis, Minas Gerais, 1920 – Belo Horizonte, 2002 Gigante Dobrada, 2001 steel

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    data-galeria='Array' data-status='collection; ' data-titulo='Public sculpture (Pouff 1, 2 e 3)' data-hash='public-sculpture-pouff-1-2-e-3' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Da Cunha, Alexandre, 

    Alexandre da Cunha moves through art history like a disc jockey that samples music from various sources to make his own music.

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    data-galeria='Array' data-status='collection; ' data-titulo='Bruciatore' data-hash='bruciatore-3' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Pessoli, Alessandro, 

    The works of Alessandro Pessoli blend personal references and historical facts in a process that brings grand narratives closer to intimate and autobiographical events.

    Da Cunha, Alexandre,  2013

    The arrangement of the works by Alexandre da Cunha in the first room of Galeria Fonterecalls a still life, thus repeating the theme of the exhibition which he begins.

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    Da Cunha, Alexandre, 

    Da Cunha focuses mainly on creating objects and his working procedures are akin to collage and sculptural assemblage.

    Da Cunha, Alexandre, 

    The arrangement of the works by Alexandre da Cunha in the first room of Galeria Fonterecalls a still life, thus repeating the theme of the exhibition which he begins.

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    data-galeria='Array' data-status='collection; ' data-titulo='Ebony Terracotta' data-hash='ebonny-terracota-2' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Da Cunha, Alexandre, 

    The arrangement of the works by Alexandre da Cunha in the first room of Galeria Fonterecalls a still life, thus repeating the theme of the exhibition which he begins.

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    data-galeria='Array' data-status='collection; ' data-titulo='Série Retratos' data-hash='serie-retratos' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Afonso, Albano, 

    Série Retratos - Auto-Retrato com David, 2001 punch on photo

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    data-galeria='Array' data-status='collection; ' data-titulo='Série Florestas – Primavera' data-hash='da-serie-florestas-primavera-2' data-order-em-exposicao="999" data-order-on-view="999" data-order-colecao="999" data-order-collection="999" data-order-permanent-artworks="999" data-order-obras-e-galerias-permanentes="999">

    Afonso, Albano, 

    Série Florestas – Primavera, 2000 perfurator on photograph laminated, mounted on mirrod aluminum.

    Varejão, Adriana,  2008

    After having spent time living in the Demini village of the yanomami people, the artist created this work for an exhibition about the yanomami, drawing inspiration from the traditional significance of birds to the indigenous peoples of Amazonia.

    Varejão, Adriana,  2008

    Rio de Janeiro, 1964; lives in Rio de Janeiro Celacanto Provoca Maremoto, 2004 – 2008 oil and plaster on canvas

    Varejão, Adriana,  2008

    Carnívoras, 2008 oil and plaster on canvas

    Varejão, Adriana,  2008

    Adriana Varejão chose the field of painting for her work. Her production comprises photography, sculpture, installation and, above all, painting.

    Varejão, Adriana,  2008

    Adriana Varejão chose the field of painting for her work. Her production comprises photography, sculpture, installation and, above all, painting.

    Varejão, Adriana,  2008

    Adriana Varejão chose the field of painting for her work. Her production comprises photography, sculpture, installation and, above all, painting.