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  • Maio, 02. 2017

    Inhotim press room


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    Leitura: 2 min

    Inhotim featured at the Brazilian Embassy in Washington

    Inhotim featured at the Brazilian Embassy in Washington

    On May 6, residents and tourists in Washington D.C. (US) will have the opportunity to know a little more about Inhotim. The Institute will participate in the 10th edition of Passport DC, invited by the Brazilian Embassy in Washington and the Inter-American Development Bank (IDB).

    Passaport DC will take place throughout May, with various activities encouraging residents and visitors to explore the city and the diverse cultural landscape that makes up the American capital. The event, which features street festivals, performances, exhibitions and workshops, opens the embassies’ doors for the public to visit the historical buildings where they are located. In total, 70 embassies will take part of the event, as well as more than forty DC-based cultural institutions.

    On May 6, the Around the World Embassy Tour will take place. From 10:00 a.m. to 4:00 p.m., more than six thousand visitors are expected. They will have the opportunity to visit the Brazilian Ambassador’s Official Residence in Washington and learn more about Inhotim, a cultural destination of international renown.

    The expansion of the Institute’s international presence is one of the outcomes of the “Inhotim: Global Change” project, carried out in partnership with the IDB since 2015, and aimed at encouraging actions related to climate change, in addition to the institutional strengthening of Inhotim.

    Exhibition at IDB headquarters in July
    During Passport DC, Inhotim will announce its upcoming initiative: the exhibit “Inhotim: At the Crossroads of Glocal Change”, which will open on July 18. For two months, the exhibition will occupy the gallery located at the IDB headquarters in Washington and present works of art from the Inhotim collection, as well as visual and sound experiences that refer to the gardens and landscapes of the Institute, providing the international public with a rare snatch of its attractions and collection highlights.

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    Março, 30. 2017

    Inhotim press room


    arquiteturaartbotanycommunityeducacionexhibitioninhotim schoolmusicnatural environmentvisit

    Leitura: 13 min

    About Inhotim

    About Inhotim

    The Instituto Inhotim is a Contemporary Art Center and Botanical Garden located in Brumadinho, 60 km away from Belo Horizonte, MG. Its 140 hectare visitation area is made up of forest fragments and gardens, with an extensive collection of rare tropical species and where contemporary art works of international relevance are installed.

    Inhotim was conceived by the Minas-born entrepreneur Bernardo Paz and was opened to the public in 2006. It is strongly committed with the development of the community in which it is included. The Institute participates actively in the making of policies for the improvement of the quality of life in the region, either in partnerships with the public administration and with the private sector or acting independently.

    The structure and organization of the space guarantee a singular venue. In addition to breaking away from the architecture and the exhibition and visitation modes that are associated to conventional museums, the Institute offers to its visitors an opportunity of fruition and brings works of art and environmental circuits close together. Over 2 million people have visited this singular venue, one of the main touristic and cultural destinations in Minas Gerais and in Brazil.

    The Inhotim Institute is a nonprofit private entity qualified by the Minas Gerais State Administration and by the Federal Administration as a Public Interest Non-Governmental Organization (OSCIP, initials in Portuguese). Inhotim actions are supported by the Federal Act for Cultural Incentive of the Ministry of Culture.

    Contemporary Art
    Paintings, sculptures, drawings, photographs, videos and installations by over 100 renowned Brazilian and international artists from 30 different countries make up Instituto Inhotim’s collection. From a collection of over 1.300 works, about 500 pieces are currently on display. The pieces have been produced in Brazil and abroad from the 1960s to the current days. They are located outdoors on the Inhotim Botanical Garden or exhibited in galleries.

    Four of the 23 pavilions are dedicated to temporary exhibits – the Lago, Fonte, Praça and Mata galleries. Each gallery has approximately 1000 square meters and large open spaces which allow for a versatile use of the area for showing videos, installations, paintings or sculptures. Every two years these spaces present a new show to introduce the Institute’s new acquisitions and to create re-interpretations of the collection. In addition, new individual projects are inaugurated every year, making Inhotim a place of constant evolution.

    The 19 permanent galleries have been developed specifically to receive works by Tunga, Cildo Meireles, Miguel Rio Branco, Hélio Oiticica & Neville

    d’Almeida, Adriana Varejão, Doris Salcedo, Victor Grippo, Matthew Barney, Rivane Neuenschwander, Valeska Soares, Janet Cardiff & George Miller, Doug Aitken, Marilá Dardot, Lygia Pape, Carlos Garaicoa, Cristina Iglesias, Carroll Dunham and Claudia Andujar.

    Botanical Garden
    Instituto Inhotim is concerned with the environment and is located amid a forest area which is a remnant of the Atlantic Rain Forest and the Cerrado, or Brazilian savanna: two of the richest environments in terms of biodiversity and, at the same time, two of the most endangered environments in the planet, regarded as world hotspots.

    From the 140 hectares of the area made up of secondary semideciduous seasonal forests, 35 are gardens. Adding to this extensive portion of land is an area protected as Natural Heritage Private Reserve which, since May 2010, is aimed at collaborating permanently with the conservation of biodiversity by connecting Inhotim to the south of the Espinhaço Mountain Chain, considered as one of the most important plant diversity centers in the world.

    The landscape works for the exuberant gardens which would eventually make up Instituto Inhotim initiated in the mid-1980s. Along time, numerous species of palm trees and native Brazilian and exotic trees from several regions in the world were acquired and adapted themselves very well to the grounds. The gardens value the luxuriance of the flora and integrate it in a spontaneous, harmonic way with the landscape and the lakes by means of pathways, stairways and patios built upon natural quartzite rock formations. These innovations have become popular in Brazilian landscape art.

    In 2010 the Institute’s expressive collection allowed for its recognition as a Botanical Garden with a botanical collection. This collection is made up by close to 5,000 species, out of which two families are noteworthy: the Palm Trees (Arecaceae) with over a thousand species and varieties, and the Philodendron, Anthurium and Calla Lily (Araceae) with over 400 species and forms – regarded as one of the largest in the world. It is also important to point out that the wide botanical collection combined with the robust structure of the Educational Plant Nursery allows for carrying out research and educational activities that collaborate for the ex situ conservation of the flora.

    Inhotim has been more and more committed with the Brazilian Network of Botanical Gardens for the development of strategies to collaborate with attaining the goals for the Global Strategy for Plant Conservation.

    Educational Actions
    About 1,500 students from the public and private schools in Brumadinho and Belo Horizonte Metropolitan Area visit Inhotim every week. The educational programs promote a number of actions to bring society closer to values related to art, environment, community empowerment and cultural diversity.

    With the proposal of aiding the critical development of the students who visit Inhotim and raising awareness on the current situation of the environment, its conservation status or how art permeates our lives, the Institute works on two fronts: Art and Education, and Environmental Education.

    In addition to the partnerships with schools, city halls and city and state Education departments, the Institute also offers free educational guided visits to the public in general in order to contextualize visitors who wish to know more about what the park offers in terms of Contemporary Art, Botany and Environment.

    For visitors, Inhotim also offers a visit program which takes place in scheduled hours and pre-determined locations.

    – The art theme visit provides a meeting between educators and visitors to discuss artists and artworks from the collection. The visit offers a conceptual outline of works on display. Starting points may be a gallery, an artist, or a specific route within the park. On average, this type of visit lasts 1 hour and happens on Saturdays, Sundays and holidays, at 2:30 p.m.

    – The environmental theme tour allows visitors to walk through the gardens, see part of the landscaped botanical collection, as well as to appreciate the ornamental ponds, waterfowls and other elements that make up this space. This tour lasts one and a half hours and happens on Saturdays and Sundays, at 10:30 a.m. (leaving from the reception).

    – The panoramic visit provides an overview of the dynamics of Inhotim. By walking through a certain area of the park, the visit emphasizes landscape design and works located in the gardens of Inhotim. Lasting, on average, one and a half hours, the panoramic visit takes place from Tuesdays to Sundays and on holidays, at 11:00 a.m. and 2:00 p.m. This visit leaves from the reception area.

    Social Actions
    In 2007 Instituto Inhotim initiated its relationship and commitment with the development of Brumadinho. This is the city in which the Institute is located, in the Belo Horizonte Metropolitan Area. The municipality has an area of 640 square kilometers and a population of 34,013 inhabitants (IBGE Brazilian census authority, 2010 ) and is divided into 5 districts: Brumadinho, Aranha, Piedade do Paraopeba, São José do Paraopeba and Conceição de Itaguá. The rural population is distributed into districts and settlements, including six quilombola (former slaves) communities. Four of these communities have been recognized by the Palmares Foundation for the preservation of Afro-Brazilian Culture, connected to the Ministry of Culture.

    The commitment to the social development of the local population led to the creation of the Department of Inclusion and Community Empowerment, which has operated since 2007 in three areas: Music, Art and Culture in the

    Paraopeba Valley, Land Development and CIMP (acronym for Centro Inhotim de Memória e Patrimônio, or the Inhotim Center for Memory and Heritage).

    One of the main goals of this Department is to strengthen the social capital of the municipality with the support of community or social leaders and organizations. All actions aim at the autonomy of the subjects, and have the people and the social groups as the central object of their work.

    Inhotim aims at the sustainability of the programs, the collection, management of resources and the increase in the capacity of the organizations, strengthening new or already existing leaderships. All of the projects proposed seek to guarantee the accessibility, interaction and social inclusion of the population to the concepts and processes developed by Instituto Inhotim.

    Gastronomy
    At Inhotim, visitors have several food choices, from fast snacks to more elaborated dishes. The Inhotim Restaurant has a pleasant environment and is integrated with the gardens and the contemporary art collection of the institution. The menu consists of an excellent and varied salad bar, à la carte dishes, extensive wine list, and also a variety of desserts.

    Created by designer Paulo Henrique Bicalho, known as Ganso (Goose), the Inhotim Bar is a pleasant space to have a drink with your friends and enjoy the delicious international cuisine. The menu has à la carte dishes, appetizers and light snacks. The Bar do Ganso is a bona fide art gallery with pieces signed by renowned Brazilian designers, special lighting and an ambiance referring back to the 50s and 70s.

    The cafeteria is located at the Burle Marx Center for Education and Culture and is the ideal place to enjoy a delicious coffee, the specialty of the house. Café do Teatro also has several options of hot and cold beverages, sandwiches, snacks and sweets.

    The Oiticica Restaurant is located next to the work Penetrável Magic Square #5, De Luxe. It is a pay-by-weight buffet and the menu includes salads and choices of hot casseroles. The restaurant opens on weekends from 12 noon to 4:30 p.m.

    Inhotim visitors can also check out other gastronomic spaces as the Pizzeria, the Hot Dog stand and snack bars located in the Fonte, True Rouge and Miguel Rio Branco galleries. There are sandwiches, pastries, hot dogs, cheese rolls (pão de queijo), juices, soft drinks, among other things.

    GENERAL INFORMATION

    Visiting hours

    Tuesdays, Wednesdays, Thursdays and Fridays from 9:30 a.m. to 4:30 p.m.

    Saturdays, Sundays and holidays from 9:30 a.m. to 5:30 p.m.

    Saritur Bus Transport

    Leaving from the Belo Horizonte Bus Station (Rodoviária) from Tuesdays to Sundays at 9 a.m. (platform F2) and returning at 4:30 pm on weekdays. On weekends and holidays, the return trip is at 5:30 pm.

    Location

    Inhotim is located in the municipality of Brumadinho, 60 kilometers away from Belo Horizonte (approximately one hour and fifteen minutes). The access road is at km 500 of BR 381 highway on the Belo Horizonte – São Paulo direction.

    You can also reach Inhotim by BR 040 highway (approximately 1 and a half hours). The access road is at the entrance of Retiro do Chalé on BR 040 highway on the Belo Horizonte – Rio de Janeiro direction.

    Gift Shops
    The Inhotim gift shops are located at the entrance of the Institute and offer items for decoration and everyday use, books, toys, clay pieces, vases, plants and regional cuisine products.

    Admission Fee
    On Wednesdays, admission is free of charge. On Tuesdays and Thursdays, it is R$ 25. On Fridays, Saturdays, Sundays and holidays, admission is R$ 40. Half price for senior citizens (60+) and students (upon presentation of valid school/college ID). Children up to 5 years of age do not pay.

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    Setembro, 01. 2014

    Inhotim press room


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    Leitura: 4 min

    Naná Vasconcelos in Brumadinho

    Naná Vasconcelos in Brumadinho

    “The body is the best tool, the rest is a consequence of it”.That is how musician Naná Vasconcelos, one of the greatest percussionists in the world, opened his percussion workshop in the former-slave community of Marinhos, district of Brumadinho, which took place on 08/30. In the afternoon, children and youths taking part in Inhotim’s percussion musical initiation project could talk to the artist and find out new ways to make music.

    First, the rhythm was marked with the feet. Then, Naná encouraged them all to use their hands, and, finally, their voices. No traditional musical instruments were used.This composition of movements and sounds allowed participants to become aware of their own bodies, as well as to work on respiratory awareness and on the sense of group. Even though the gestures were simple, they carry the strength of Afro-Brazilian musicality, which is a striking feature of the former-slave culture, and are essential to preserve this culture. “Here, in the community, we are born with music being part of us.It is a gift that is passed on generation after generation by the Congado and Mozambique Guards”, says 14-year old Rhayane Estefanie Alves, who took part in the workshop and participates in Inhotim’s percussion project..

    Rhayane Estefanie Alves, integrante do projeto de percussão do Inhotim. Foto: Rossana Magri

    Rhayane Estefanie Alves, participant of Inhotim’s percussion project. Photo: Rossana Magri

    No domingo, Naná Vasconcelos abriu a programação de grandes shows do Inhotim em Cena. Acompanhado do multi-instrumentista Lui Coimbra, o percussionista levou o berimbau da capoeira para o centro do palco, nos jardins do Instituto. Em uma mistura de brasilidade e som erudito, planejamento e improvisação, os artistas criaram um repertório singular que emocionou o público. “Percussão é símbolo de vida. Se não tiver percussão, quer dizer, se o coração não bater, não tem vida”, define Naná.

    Naná Vasconcelos fez show nos jardins do Inhotim no domingo, como parte da programação do Inhotim em Cena. Foto: Daniela Paoliello.

    Naná Vasconcelos performed in the gardens of Inhotim on Sunday.  Photo: Daniela Paoliello.

    Inhotim em Cena 2014 is supported by the Federal Act for Cultural Incentive, Ministry of Culture. It is brought to you by Pirelli, sponsored by Correios and supported by Saritur. Be sure to check out the upcoming shows of Inhotim em Cena! Click here and see the program.

    aqui e veja a programação.

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    Agosto, 13. 2014

    Repolês, Maria Eugênia Salcedo

    Gerente de Educação Transversal do Inhotim


    arteducacionlaboratório inhotim

    Leitura: 5 min

    Breathe and have fun!

    Breathe and have fun!

    The idea was to spend one morning at the Bronx, in New York, talking with North-American artist John Ahearn.Right at his studio’s entrance, we felt a different energy. Apologizing for not remembering the keywords to communicate in Portuguese, John greeted us with an outburst of energy. The plans immediately changed. All of the sudden, we were getting ready to make the mold of “three… no, even better, four youths!” Nine years ago, he and artist Rigoberto Torres were in Brumadinho doing the same procedure to compose two pieces of work displayed at Galeria Praça, at Inhotim: Rodoviária de Brumadinho [Brumadinho Bus Station] (2005) e Abre a porta [Open the door] (2006).

    The young participants of Laboratório Inhotim freely moved around the artist’s studio, while John, together with his assistant, started preparing the materials for the sculptures and began moving furniture around the space. He put together a scene, changed it, complemented it, oriented, thought, rethought, arranged things. “Almost like a movie director…”, he joked with one of the young boys. We were indeed in one of his artistic compositions, even though we hadn’t started the sculpturing process Ahearn is so well-known for.

    Almost 10 years ago, I met Ahearn at Inhotim, in the blue house that was his studio at the time, at the bus station square in Brumadinho, in the streets of Sapé, a runaway-slave community in the region. He recorded and experienced cultural, religious and everyday manifestations of the town.  Afterwards, these experiences became part of his two pieces of work in the Institute’s collection. Each person in the panels was a story, that told the life of the town, the local culture, but which also narrates the strength of gatherings and dialogs. Meeting him again, this time at the Bronx, I remembered the phenomenal human strength in his work.

    “Where are the straws to make the molds? They always disappear when we are about to start the process… It’s ok, it’s going to work”, says John. And, in fact, everything worked out just fine. The youngsters observed and participated in the artist’s creative and technical process, learning about the details, observing decisions, thinking about solutions.

    John Ahearn prepara os jovens para fazer os moldes. Foto: Alice Dias

    John Ahearn prepares the young participants for the molds. Photo: Alice Dias

    But, after all, bearing in mind the purpose of these youngsters’ trip – research and be inspired to produce the Street Festival in Brumadinho – what could the work of an artist in his studio teach? The answer might be: every process requires effort. Deciding means to transform, and the power of transformation is one of the artist’s tools. Producing something makes a difference in the world. “Isn’t it touching? We are creating four sculptures, that is, four things that didn’t exist before!”, said John in the middle of the process. For him, the answer could be even simpler: “I ask two things of you today: first, breathe. Second, have fun!”.

    O resultado da visita ao ateliê do artista, uma experiência que será lembrada para sempre. Foto: Maria Eugênia Salcedo Repolês

    The result of the visit to the artist’s studio, an experience that will be forever reminded. Photo: Maria Eugênia Salcedo Repolês

    Click here to learn more about our trip. Laboratório Inhotim is sponsored by Banco Itaú.

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    Julho, 24. 2014

    Dias, Alice

    Educadora do Inhotim


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    Leitura: 4 min

    Travel log

    Travel log

    As I write this testimonial, I´m still very moved by the flood of emotions we´ve experienced in the past few days. These days were filled with many “first times” for most of the eight teenagers taking part in Laboratório Inhotim. Their first trip outside the state of Minas Gerais, first plane trip, first ride on the subway, first time in a foreign country. That is:a lot happening in a very short time.

    One of the purposes of the trip to New York is to learn about festivals that occupy the city and involve the community, since, in the end of the year, Laboratório will produce a festival in Brumadinho, where Inhotim is located, and where these teenagers come from. That is why the partnership with the New Museum was so important. Every year, they promote a street festival. In this year’s 8th edition of this festival, we were invited to take part as volunteers in organizing the event.

    The day we arrived, we went to the museum to meet the education team and the youngsters participating in a summer program, who would also work in the festival. They showed us the proposals for workshops that would be offered to the public. We created our own uniforms from T-shirts, visited part of the museum as well as the plaza where the event would take place.

    Nosso grupo e os voluntários que fizeram a Block Party ser um sucesso. Foto: Alice Dias

    Our group and the volunteers who made the Block Party a success. Photo: Shannon Phipps

    In the following day, the place was transformed. Eight tents with tables, a stage and several helpful and cheerful volunteers were there!Each one of the teenagers from Laboratório stayed in one tent, together with a teenager from the New Museum and other volunteers. Each tent represented one of the workshops offered.The first challenge they faced was the language barrier. That, which at first was uncomfortable and awkward, slowly disappeared during the exchange of experiences that took place during the day.A smile, a look, a gesture, a song, or even they discovery of a mutual passion for Demi Lovato – young North-American actress and singer – were ways they used to connect with one another, shortening distances and differences. And, certainly, their familiarity with to technology also helped.All of a sudden, they all pulled out their smartphones with simultaneous translation to mediate communication. In the end, being a teenager in Brumadinho or in New York is not all that different!

    Michele, uma das jovens do programa de verão do New Museum, usando o celular para minimizar as barreiras da língua. Foto: Alice Dias

    Michele, one of the youngsters of the New Museum’s summer program, using the cell to minimize language barriers. Photo: Alice Dias

    Click here to learn more about our trip. Laboratório Inhotim relies on a sponsorship by Banco Itaú.

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